![]() His art sums up the album title and concept fantastically and is a perfect fit for the tone of the album. Details of that sighting can be seen on his twitter page ( /bernieeller).Īndrew Pearce, who is as passionate as Bernie about what’s currently transpiring in the UFO / UAP scene, did the honour of collaborating on the artwork. He has often considered the irony that his sighting was in some way, something of a reply to "The Question". When you hear the track and the "Question" being asked the significance of the sighting that occurred soon after, becomes even more interesting. No more than a week from finishing that track, he had one of the most close up and detailed UFO encounters one could possibly hope for. Of interesting note is "The Question", the last track of this 90’s period he composed just before packing everything up and moving to London. Bernie resonated with this concept and felt it was similar to the revelations he experienced discovering the electronic dance music scene and its "Psychedelic Technology" in the 90’s. The title of the album "Break-away Civilization" was coined by a UFO Historian Researcher Richard Dolan referencing the possibility that "someone" may have potentially obtained breakthrough technology that allowed them to breakaway from the rest of humanity and produced some the unidentified phenomena that have been witnessed thousands for centuries. Every track on this album is produced using original analog synths & drum machines, the only digital components being some effects units, samples and FM Synths. ![]() Bernie expresses eternal gratitude to the individuals that inspired him to continue composing music and for the fortunate position he was in to be able to acquire some amazing instruments, he still owns to this day. ![]() Coincidentally, this period was both one of the best and most difficult parts of his life, with all the revelations and personal growth challenges presented to him. The DJ Composers Calum McNaught (Anubis) & Denver McCarthy (Mechanism), both of whom supplied him with new CDs of cutting edge artists in the scene to listen to, contributed to find his musical direction at the time. This was a period of collecting and learning to use analog synthesisers in order to express his passion for electronic music. In 1994, Bernie released the tracks "Mushroom" and "Outer Limit" on the compilation "Harmonic 695" produced by Pulse Records, before he completed his transition to Goa Trance.Īfter his successful album "Gnosis", released in May 2021, Bernie collaborates again with Unreleased Goa Records to publish this time a completion of unreleased Trance tracks composed between 19. The subject had always fascinated him with its possibilities that "reality" was vastly more complex and interesting than we had assumed or been told. He was very interested at the time in the revelations from Bob Lazar regarding his "alleged" work on recovered UFO technology at Area 51 in Nevada. That year he completed his first four Trance tracks under the pseudonym Area 51 and performed them live on the floor. Bernie Eller started to produce electronic music in 1992, heavily influenced by Jean-Michel Jarre, Kraftwerk, Kitaro, William Orbit, New Order, as well as the classical masters Beethoven, Mozart, Bach and almost every New Wave synth-pop band and artist of the 80’s. Unreleased Goa Records proudly presents "Break-away Civilization", the amazing Trance album of New Zealand project Area 51, otherwise known under the more established guise V A S T. ![]()
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